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Sunday, 6 May 2012

Chanel my underwater existence by quin

By Dave Linda


Jules Verne? Wes Anderson? Georges? Twenty Thousand Leagues Beneath the Sea? This gorgeous recreation in the ocean ground, this immaculate white landscape of seaweed, stingrays, sharks and shells, daring the aspiration with candor and an optimistic, rather than desolate, concept of style. So, captivated by an extravagant dream, enthralled, and traveling even prior to the show commenced, spectators awaited the varied variations from the underwater concept throughout the selection.

It was a masterpiece: deceptively straightforward but never dull. Mermaids in slinky sheath dresses have been not on the plan. Instead, there have been a lot more youthful and light-weight silhouettes than ever before. Lots of extended, tapering limbs, knee-revealing attire and skirts, luxurious and unfastened knitwear, fantastic white sweaters worn more than complete skirts, the extremely image of magnificence without pretension. We cherished the mini-mini shorts in laminated denim worn below unstructured jackets, the tiny top embroidered like a mattress of sea anemones, jackets sensually reduce along the small in the back again, the gown embroidered with bronze-colored scales. The gathering appears to capture the shimmering mild in the sun around the waves.

The tweed is iridescent with mother-of-pearl applications chiseled onto suits. Considerable function to the materials reinforces the modernity and also the power in the profiles: neoprene and plastic accentuate the sensation of lightness. A silicon lace biker jacket created by Sophie is complimented by sinewy black plastic piping for the ultimate refined look. It is as though two palms had dived into the sea foam and introduced back a jacket. Delicate humour permeates the collection. The gown with embroidered shoulders bears a lacy seaweed below the waistline. Karl is getting more fun than in the past!

Heels formed like coral branches or beaded shells, earrings and rings inside the shape of sea urchins, shell-shaped clutch baggage, rectangular quilted luggage enchained like particular offers recovered by the sea customs... all enraptured the audience. The haunting black and white or silver-colored ankle boots gave movement and a refined touch from the Swinging Sixties in London towards the designs.

The evening was luxurious and youthful, with lengths remaining above the ankle, diaphanous volumes, lace, gemstones, sparkling embroidery, a spirit in-keeping with the two the celestial as well as the aquatic.

Pearl, the enduring motif of the Residence of Chanel, was in its factor! Assembled in fragile belts on some quick attire, it transformed into a sort of skin embroidery to make nearly an almost surreal alignment down the spine. Lightness, inventiveness and refinement for an intensely invigorating assortment that ends with a Botticelli-style physical appearance of the singer Florence , emerging from an enormous shell to sing, accompanied by a harp participant.




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